Photography News

There's a moment in every storm chaser's career when they realize they're no longer just documenting weather—they're bearing witness to something far more profound. For Hank Schyma, better known as Pecos Hank, that realization came gradually over three decades of pursuing supercells across the Great Plains, but it crystallized into something deeper: an understanding that storms aren't just meteorological phenomena to capture, but windows into the very nature of scientific truth and human humility.

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When Sigma unveiled their latest creation, one YouTuber asked, “Who the hell wants that?” and turned down the offer of a unit for review. Curiosity got the better of them, however, and it’s made for an interesting video.

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The world of photography has undergone significant transformations over the past few years. More changes are happening now, and it’s fascinating to see it evolve and affect our photography. Companies need to adapt or face extinction.

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Many shooters spent the last decade collecting faster lenses and bigger sensors, but a counter-movement now ripples through wedding albums, street-photo galleries, and TikTok feeds: pictures that leave the mistakes in. Motion blur, light leaks, camera shake—even a deliberate miss on focus—are suddenly welcome, propelled by a cultural hunger for images that feel honest instead of air-brushed.

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The Fujifilm X half isn’t your typical camera—it prioritizes a unique shooting experience over flashy specs. Its appeal lies in capturing a vibe, making it ideal if you're drawn to creative photography that goes beyond pixels and autofocus points.

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The Sigma 16-300mm f/3.5-6.7 DC OS Contemporary lens promises to be an all-in-one solution for crop-sensor camera users. With its exceptionally broad zoom range, it aims to appeal to users looking for convenience over outright quality.

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Why do we take photographs? Is aesthetic beauty the only value to photography? Can we use our tools and talents to create something with a deeper purpose? Although there are those who may disagree, objectively, our planet is in trouble. Let's consider, then, whether photography can save the world. I'm going to start with our oceans, where I'll specifically consider Galapagos Whale Shark Project and its goals to understand and protect whale sharks. I want to think that photography can help to save the world.

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When Kodak filed for bankruptcy in 2012, it wasn't just the end of an iconic brand—it was the tombstone marking the grave of a centuries-old apprenticeship system that had been the backbone of professional photography education. Today's Instagram-famous photographers may command six-figure day rates, but they've never experienced the foundational learning that came from spending years in the trenches as a photography assistant, and the industry is weaker for it.

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At first glance, it seems like a novelty—­a quirky, retro-inspired device that leans heavily into nostalgia, maybe a little too heavily. But dig a little deeper, and you might find that this strange little camera actually has something compelling to offer.

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The Viltrox AF 35mm f/1.2 LAB FE promises professional-grade performance at a lower cost than comparable Sony glass. When you're looking at f/1.2 apertures in the 35mm focal length, you're typically facing eye-watering price tags that put serious wide-aperture photography out of reach for many, but not with this lens.

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The Hasselblad Xpan remains one of the most coveted and controversial cameras in film photography, commanding prices between $4,000 and $7,000 for a body and lens. This panoramic 35mm camera promises a cinematic shooting experience that fundamentally changes how you approach composition, but the question remains whether it lives up to the massive investment.

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When Lisa first picked up her camera to photograph newborn Emma, she thought she was simply documenting precious moments—but over eighteen years, that faithful lens became witness to something far more profound: the complete transformation of a helpless infant into a confident young artist ready to claim her independence.

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Do you need Iceland or an exotic location to take great photographs?

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Want to take better wildlife photos without spending a load of cash? This photographer shares a series of smart, surprisingly simple tips that can dramatically improve your images—and your experience in the field. And yes, they’re all completely free.

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The Fstoppers community is brimming with creative vision and talent. Every day, we comb through your work, looking for images to feature as the Photo of the Day or simply to admire your creativity and technical prowess. In 2025, we're featuring a new photographer every month, whose portfolio represents both stellar photographic achievement and a high level of involvement within the Fstoppers community.

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Many photographers fall into the trap of believing their hometown lacks photogenic subjects while envying images from distant locations. This mindset blinds you to compelling compositions that exist right under your nose, requiring a deliberate shift in perspective to rediscover familiar places.

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Creating compelling photography work often means thinking beyond the single image. When you approach your craft as a series of connected photographs rather than isolated shots, you unlock storytelling potential that individual images simply cannot achieve on their own.

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Your portraits might look technically correct but still feel off in ways you can't quite pinpoint. The difference between amateur and professional-looking portraits often comes down to six specific mistakes that most people make without realizing it.

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Sarah met David on a Tuesday evening in October, at a coffee shop where she was grading papers and he was editing photos on his laptop. She noticed him first because of how intensely focused he seemed, swiping through hundreds of images on his phone, occasionally transferring them to Lightroom and making quick adjustments. When she asked what he was working on, his eyes lit up with genuine enthusiasm.

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In a world where high-end portrait glass usually means a serious investment, this lens is turning heads—and not just because of the cost.

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